STAFF FAVORITES

Selling Sex And Symphonies: The Image Of Women In Classical Music
July 30, 2010

Our Hey Ladies: Being a Woman Musician Today series continues with NPR Music classical producer Tom Huizenga's new interview with classical violinist Lara St. John. St. John has been accused of using physically revealing album covers to help sell her music, but says she had full control over her representation and marketing strategies, although discussions about her body have often overwhelmed discussions of her body of work.

read article at external site


Swansea artists' lament for the bees
July 22, 2010

Artists Owen and Fern are worried about honey bees. So they have formed a choir to sing a specially-commissioned piece of music, based on bee sounds, in an 'act of shared concern' for bees.

read article at external site


John McCormack: The Charming Irish Tenor
July 20, 2010

Irish tenor John McCormack captured the heart of my father and many music-lovers around the world. Because Daddy loved McCormack, I, naturally, did not. Every time he put his scratchy McCormack records on the phonograph, I rolled my eyes and went off to read a book. I preferred Sinatra and Broadway musicals; later, I got into jazz, but McCormack never quite won my affection.

read article at external site


Choir sings musical notes based on their own genetic code
July 15, 2010

Scientists and composers joined forces to produce the choral work, which translates singers' own genetic code into music.

read article at external site


New Opera Focuses on Bill Clinton's Life
July 13, 2010

If any recent president's life is the stuff of operas, it's Bill Clinton's. There's been comedy, drama, back-stabbing, shouting, crying, death, and many miraculous comebacks. But that's real life. Now art will be imitating life in a project coming together in Little Rock and meant to show how his struggles as a kid raised by a fun-loving mother influenced the making of the 42nd president.

read article at external site


20 (PLUS) QUESTIONS WITH: Pianist Kirill Gerstein
July 01, 2010

Kirill Gerstein, recently named the sixth recipient of the Gilmore Artist Award, took time to lend his thoughts to our question and answer series. The young dynamo will make his Boston Symphony debut on July 30 at the Tanglewood Festival.

read article at external site


A Deal Undone: Smetana's 'The Bartered Bride'
June 28, 2010

Bedrich Smetana wrote music so clearly rooted in his Czech homeland that it would be easy to define him — narrowly — as a musical nationalist. But in fact, his achievement goes far deeper than that.

read article at external site


Music and speech share a code for communicating sadness in the minor third
June 24, 2010

Here's a little experiment. You know "Greensleeves"—the famous English folk song? Go ahead and hum it to yourself. Now choose the emotion you think the song best conveys: (a) happiness, (b) sadness, (c) anger or (d) fear.

read article at external site


Verdi's 'Il Trovatore': Profound Or Preposterous?
June 19, 2010

Opera fans who also love comedy — or at least fans of "a certain age" — may well know the names of two legendary but very different performers: Anna Russell and Florence Foster Jenkins.

read article at external site


The Sounds of Violence
June 16, 2010

Alfred Hitchcock's "Psycho" turns 50 this week, but to this day it retains its jagged modernity and jolting terror. Much of its power comes from Bernard Herrmann's music, a score as iconic as the film itself. The shrieking dissonance of "The Murder," surely the most imitated and instantly recognizable film cue, is the cinema's primal scream. It is deeply embedded in our movie-going subconscious, instantly evoking Norman Bates's stabbing knife and Marion Crane's helpless cries.

read article at external site


Anna Crusis Women's Choir still singing with a sting
June 10, 2010

Jacqueline Coren never scoffs when people ask who Anna Crusis was and why a nationally known feminist, lesbian-friendly Philadelphia women's choir bears her name.

read article at external site


Garsington Opera's tenure goes out with a flourish with Rossini's most exotic opera
June 03, 2010

This is the last year of Garsington Opera's tenure in its quirky medieval manor – next year it moves to the Getty family's home at Wormley. And it's going out with a flourish, giving one of Rossini's most exotic operas its first British staging. Indeed, Armida was long regarded as uncastable, so great are its vocal demands. Rossini wrote the title role for the star Neapolitan soprano Isabella Colbran, who had become his wife; he also included six tenor roles, of which three are famously hard to sing.

read article at external site


Frank Huang's the new violinist in town
June 01, 2010

There was a time when Frank Huang, the Houston Symphony's new concertmaster, would rather have been playing basketball.

read article at external site


Gustavo Dudamel can't conduct himself as the savior of classical music
May 28, 2010

I've been amused, and I'm not the only one, to read all of the critical backlash against Gustavo Dudamel on his recent American tour with the Los Angeles Philharmonic. In San Francisco, Chicago and Philadelphia, the discovery has been made that Dudamel does, in fact, have feet of clay. His conducting can be uneven, superficial, moment-to-moment.

read article at external site


Independent Classical podcast: Janina Fialkowska
May 25, 2010

Canadian born pianist Janina Fialkowska has an extraordinary story to tell: she's battled cancer in the muscle of her left shoulder, endured ground-breaking muscle-replacement surgery, and even, in another bizarre twist of fate, had her work "stolen" in the notorious Joyce Hatto recording scandal.

read article at external site


Pierre-Laurent Aimard's Piano Francais
May 22, 2010

French pianist Pierre-Laurent Aimard came to our Fraser Performance Studio with a handful of atmospheric 20th- and 21st-century miniatures, mainly from his homeland. His quiet manner is lit by an intense desire to share the sensations that come with total immersion in the evocative soundscapes crafted by Maurice Ravel, Olivier Messiaen, Pierre Boulez and Elliott Carter. With his English cautiously wrapped in heavy French nuance, Aimard spoke of the "charm of sounds" and "world of gestures" that captivate him as a musician.

read article at external site


Instruments From Every Single Nation
May 20, 2010

"Without music," claimed philosopher Friedrich Nietzsche, "life would be a mistake." Perhaps it would even be impossible. Music has been a ubiquitous presence for millennia: Recently dug-up fragments of flutes made from the bones of red-crowned cranes were dated as 45,000 years old. And the beat goes on.

read article at external site


'Amelia': An Opera And A Goodbye
May 13, 2010

The war in Vietnam left its mark on a generation of Americans, from veterans to protesters to the families of those who were killed. It's inspired films and novels, and now an opera. Seattle Opera is presenting the world premiere of Amelia, which examines the legacy of the Vietnam War from the home-front perspective.

read article at external site


Solving a Musical Catch-22
May 11, 2010

Whitney Gardner, fresh out of college with a degree in piano performance in 2005, was caught in an all-too-familiar bind for musicians who flock to New York City.

The Carnegie Mellon University graduate could teach full time, but that would cut into her ability to perform. And performing would make it impossible to teach. Out of that musical Catch-22 was born In the Pocket NYC, a nonprofit consortium of musicians that helps performers teach and teachers perform.

read article at external site


"A Joyous Resurrection": Mahler No. 2 Played in Dallas May 20-23
May 10, 2010

Mahler’s Symphony No. 2 will be heard at the Dallas Symphony Orchestra's Meyerson Center May 20–23. Mark Melson, the ensemble's vice president of artistic operations, explains why he can’t get enough of the piece.

read article at external site